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charlie – manhattan, ks child photographer

One of the greatest thing about photography is getting the chance to work with a family on several occasions over the course of time. Last year, I shot the wedding of a great couple at the KSU Botanical Gardens and clicked with the bride’s family. Later that year, I got to work with the whole family again when they wanted to create some family portraits on the campus of their favorite university: Kansas State. Last month, I got to work with the bride’s sister and her family to capture their little boy, Charlie, as he neared his second birthday. Once again, we met on the KSU campus, but in a part of campus I had never used before for portraits. I love that there are endless locations for portraits on campus!

Charlie is as precocious as any adorable two-year-old boy, but just before we met for our session, he had been sick for a couple of days and had had to stay inside. I think this was his first day of really feeling better and getting outside. You know how much energy every two-year old typically has? You know what happens when they have to save 3 days’ worth of it while hanging out inside sick?

The photographer gets to run a lot, too. It’s okay–it’s all a game, right?

Like peek-a-boo.

Or hide-and-seek.

Ok, Charlie, enough games. Come on out and meet everyone!

Everyone, Charlie. Charlie, everyone.

More of the handsome little guy (and his monkey!) after the jump.

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fireworks, the follow up

So, I really thought I wouldn’t get to see fireworks this past July 4th. I was traveling and it just seemed like I would be in exactly the wrong places at the wrong times. As it turns out, I had the dates for the fireworks shows in Utah wrong, so I was there and we went! My family and I went to Thanksgiving Point to watch their show and got up about as close as they would let us get. Then we backed up just a little until we were sheltered from the wind, which was really moving up there–I was surprised how cold it can get up in the mountains in July. I actually had to put on a sweater! Weird.

Anyways, I was able to borrow a tripod from my aunt and uncle and set up shop right next to where we put out our chairs. We wandered the gardens for a few minutes until it got dark, waiting for the show to start.

When it started, I started shooting, using the focus-shifting technique I described here. A very short 10 minutes later, and they were done. Finished. My wife and I were so disappointed after having been to Wamego’s fireworks shows for the last 3 years. We assumed that if our tiny town of 4200 people can consistently put on a rockin’ 30 minutes of fireworks every year, so can anyone.

We were mistaken.

Anyways, I bet you didn’t come here to listen to me ramble–you came for pictures. Here they are: despite the very short show, I still came away with some images I’m very happy with. Enjoy, and let me know what you think below. Did you shoot any of your own fireworks? Leave a comment with a link below–I’d love to see them!

This next one really reminds me of a sunflower. The kind with neon sparkly seeds in the center.

Does anyone else think this next one looks like an alien abduction, or is it just me?

There you go. Ten minutes of fireworks, six shots to show–not a bad deal. =]

fireworks like you’ve never seen them before

With the 4th of July right around the corner, fireworks are on a lot of people’s minds. If you live in a state that allows you to shoot off your own fireworks, like Kansas, then chances are you’ve already heard some going off around your neighborhoods at night. You may have even been the one lighting them.

Those little fireworks are great, but the real fun comes from the massive pyrotechnic displays that are put on all around the country on the 4th. The show that my town puts on is really a marvel, especially considering that Wamego’s population is only around 4200 or so. It is entirely hand fired, typically lasts about 30 minutes, and the seating is wonderfully close (about a baseball field’s length away). You really get to experience the fireworks, not just watch them. And this show is as intense, if not more so, than other popular shows I’ve seen in much larger communities. Every year, people from surrounding cities make the trek out to Wamego because the show is just that cool.

But this is not a post plugging Wamego’s fireworks show.

Ok, it’s not just plugging Wamego’s fireworks show.

As a photographer, I’ve always enjoyed trying to capture the kind of fireworks images I’ve seen in magazines and online and have always struggled to get anything close. So I gave up.

Then, last year, not too long before the 4th, I read an article from a JPG magazine user about a different technique she had discovered that makes amazing images of fireworks not only much easier to produce but also much more enjoyable to create. I remember trying it out last year and just giggling like a giddy school girl as a watched the images pop up on my LCD. It’s easy and fun and the results are unexpectedly delightful and full of mystery.

She called the technique focus shift. All you need is a solid tripod, an SLR camera, and a long lens. She used a Canon 5D with a 180mm lens; I used a Canon 40D with a 75mm lens (equivalent to 120 mm). Here’s how the technique works, along with some images I shot last year:

  1. Try to set up as close to the fireworks as you can. One “mistake” I made in the past was trying to get the whole sky in the shot. Forget that for this–you want to fill your frame with the fireworks, so get close, and use a long lens. Wamego’s show is great for this since every seat is virtually as close to the fireworks as safety would allow.
  2. Shoot in manual. You can’t let your camera try to meter for these constantly changing bursts of light–either it won’t be able to keep up, or it will try to properly expose the pitch black night sky, completely blowing out the bright light from the fireworks.
  3. Use your lowest ISO. For me, that was ISO 100. We’ll be doing longer exposures, so we want the least amount of digital noise possible in the final image. You might even consider turning on your camera’s own long exposure noise reduction option for this.
  4. Start with a shutter speed around 1 second. In the article, she said that her shutter speeds ranged from 1 to 6 seconds. I used 1 second for all of the images I shot last year. At that shutter speed, I found that an aperture of f11 or f14 worked well to produce well exposed images. You’ll have to experiment a bit with this.
  5. Use manual focus. Make sure you flip that little switch on your lens from AF to MF. This is where the magic happens. After you press the shutter button, you’ve got about a second to change the focus during the exposure. Large changes in focus work best. You can start with the focus set up close and shift it towards infinity during the exposure, or you can start at infinity and move it back up close. Try both. Try going from one end of the focus range to the other and back during the same exposure. With focus at infinity, the light from the fireworks will produce sharp lines on your image. With the focus up close, the light creates soft, colored balls or stripes of light. As you shift from one end of the focus range to the other, you produce incredible, abstract images of color and shape.
  6. The last step is something to keep in mind the whole time you’re exposing and shifting focus: don’t rock the tripod. ;)

Here are a few of my favorite shots from last year’s fireworks show. This was my first attempt at focus shifting, and I’m really happy with what I came home with.

For this first one, I shifted from a close focus towards infinity, which is why the green lights start big and get sharper as they move away from the center. The green heptagons came from a particular kind of firework that twinkled instead of burning consistently. ISO 100, f11, 1s, 75mm (120 mm equivalent), shifting from close to infinity.

In this one, I also shifted from close to infinity and just loved how it produced such organic, almost flower-like shapes. ISO 100, f14, 1s, 75 mm (120 equivalent), shifting from close to infinity.

I love that this one exploded out of my field of view, so I only really got the twinkling trails as they fell. ISO 100, f11, 4s, 75 mm (120 mm equivalent), shifting from close to infinity.

This last one is my favorite from the night. I was amazed not just by the fierce red color, but by the asymmetrical chaos of the main bloom. All the other smoke and stray light really added to the image. ISO 100, f14, 1s, 75mm (120mm equivalent), shifting from close towards infinity.

As you play with this, try shifting focus at different speeds: shifting slowly produces a smooth transition from large, out of focus light to sharp trails, or vice-versa. Shifting quickly produces sudden differences.

If you’d like to see more examples of what this technique can do, definitely check out the first article minka did, as well as the follow up story that she posted after the 4th of July last year.

Will you try out focus shifting this year? If you do, definitely leave a comment below with a link to your images. Or, head on over to the rik andes photography page on facebook and just post the images there! I can’t wait to see what you create, especially because I’m facing the distinct likelihood that, because of my travels this weekend, I won’t be able to capture any fireworks images at all, let alone see a big show. I’ll enjoy the fireworks vicariously through you this year.

Did you enjoy this little how-to? Feel free to pass a link around and tell your friends!

kelli and jay – manhattan photographer

I love my job. I get to meet all kinds of incredible people that let me into their lives for a time. There are so many different kinds of beautiful relationships that I get to share, so much love and passion that I get to witness, and so many people in love that I get to work with to create portraits for them to treasure.

Recently, I got to meet Kelli and Jay. They got married a couple of years ago, but at the time, didn’t get any engagement pictures taken. Luckily for me, they came to me to help them create some portraits of the two of them together along with their little girl.

We got together at Anneberg Park in Manhattan, KS, during spring break on a slightly chilly and fairly breezy afternoon. First, we started with Jay in uniform.

kelli and jay

jay in uniform

Kelli had brought along something that she wanted to use in her portraits, which is such a great idea! Who knows a couple better than themselves?

kelli and jay with american flag

After getting a few of them together in uniform, they changed and we set off to a few different parts of the park. They also got their little girl out of the car for a couple of pictures. No worries–their little girl was fine waiting in the car. ;)

Everyone, meet Ada.

kelli, jay, and ada

kelli and jay walking ada

ada playing frisbee

kelli and jay with ada

While Jay took Ada back to the car, Kelli and I took advantage of the time to create a few quick portraits of her.

kelli in color

kelli in black and white

kelli in color 2

When Jay returned, we got back to making magic happen. =]

jay holding kelli

kelli and jay

kelli and jay, opposite views

My absolute favorite of the session. Maybe of the year so far.

kelli and jay warm laughing together

I’ve always thought the playhouses in the playground would make for a good session location–so much color!

kelli and jay in the green doorway

kelli and the green house

Finally, Kelli and Jay had gotten a matching set of necklaces to wear while Jay is away, and they wanted to incorporate them somehow in the shoot. Ok…done!

kelli and jay and their necklaces

Jay, thank you for your service. We wish you all the best over there and a safe return! Godspeed!

jay without the hat

jeff, ashlee, and skylar 2.0

One August, about two and a half years ago, some friends from church came and asked me to do a family session for them. Jeff was deploying to Iraq and they wanted to get some family portraits made before he left. We went to Anneberg Park here in Manhattan and had a nice little session by the lake.

Fast forward to Spring Break and Jeff is deploying again. So once again, I had the extreme pleasure of working with this adorable family (and can I just say how fun it is to see families multiple times over their lives together? It is so fun to see all the changes and catch up again). Time was of the essence because of Jeff’s deployment, so we couldn’t really be that choosy about our available session time, so we went with the one day that worked for everyone, which meant that, of course, it was cold, windy, and raining on and off. Instead of heading to the park, we decided we needed somewhere a little more protected from the elements. So, naturally, we met at KSU’s parking garage.

Yep, the parking garage. And it was awesome.

Everyone, Ashlee. Ashlee, everyone.

Skylar did a great job as my assistant. It was her task to make sure her parents kept smiling, and she had the perfect magic word for the job…”stinky feet!”

Skylar loves her daddy. Daddy loves his Skylar.

After fully exploring the garage, we decided to head over to the Beach Art Museum. They were only going to be open for 15 more minutes, so we didn’t mess around.

Okay, okay…we did mess around. ;)

Jeff, thank you for your service. And for the great time I had with you guys. See you when you get back.

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